Berlin film festival opens with heartfelt drama championing migrant inclusion
The 75th Berlin International Film Festival kicked off on February 13th with the world premiere of “The Light,” a poignant drama directed by Tom Tykwer. The film, which explores the complexities of family dynamics and societal integration, has been lauded for its timely message of welcoming migrants and recognizing their valuable contributions.
“The Light” tells the story of the Engels family, a seemingly affluent and content unit living in Berlin. However, beneath the surface lies a disconnect, with each member absorbed in their own world. Their lives take a turn when Farrah, a Syrian refugee played by Tala Al Deen, enters their lives as a housekeeper. Farrah’s presence, along with her unique light therapy device, becomes a catalyst for change, forcing the Engels family to confront their own privilege and prejudices while learning to appreciate the richness that diversity brings.
Lars Eidinger, who plays the father, Tim Engels, emphasized the film’s message of inclusivity in an interview with Reuters. “The film shows that someone coming from the outside can also help, and we can benefit from them, and they don’t want to take anything away from us,” he said. “In fact, it’s the opposite; they can contribute.”
Tykwer, known for his works like “Run Lola Run” and “Babylon Berlin,” skillfully weaves together the personal struggles of the Engels family with the broader societal context of migration and integration. He highlights the stark contrast between the comfortable lives of the Engels family and the challenges faced by Farrah, who lives in a cramped apartment with other refugees, separated from her own family.
Nicolette Krebitz, who plays the mother, Milena Engels, acknowledged the discomfort of portraying a character whose privilege and hypocrisy are laid bare in the film. “You don’t want to see yourself being a white privileged person, being unhappy about things compared to what the other leading lady in the film (Farrah) is experiencing,” she said.
The film’s opening at the Berlinale carries a particular significance, as it comes ahead of German elections scheduled for February 23rd. With migration being a central topic of debate, “The Light” offers a powerful counter-narrative to the rhetoric of fear and exclusion often employed by far-right parties.
Festival director Tricia Tuttle expressed her hope that the film would spark conversations about the importance of empathy and understanding in addressing the complex issue of migration. “Cinema has the power to connect us with different perspectives and experiences,” she said. “We believe ‘The Light’ will resonate with audiences and encourage a more compassionate dialogue about the challenges and opportunities of migration.”
“The Light” has garnered positive reviews from critics, who have praised its nuanced portrayal of characters, its compelling storyline, and its timely message. The film’s exploration of themes such as family, identity, and belonging has resonated with viewers from diverse backgrounds.
As the Berlin Film Festival unfolds, “The Light” stands as a testament to the power of cinema to not only entertain but also to enlighten and inspire. The film’s message of welcoming migrants and celebrating diversity is a timely reminder of the shared humanity that connects us all.